This 1952 print was discovered in New Jersey and has been restored by Welles’ daughter Beatrice.
The original was beset by problems. Financial issues produced a nomadic cast and the actor playing Desdemona changed three times. Consequently, the performances, with the exception of Welles, resemble an am-dram group putting on a tribute to stoicism.
Many beautifully framed scenes have their emotional impact devastated by the presence of an under varnished actor and unfortunately the worst offender, Michael MacLiammoir, has plenty of face time as he is playing Iago. At times, the dubbing is dubious and the piece veers close to satire.
Factor in the plot gaps and the experience is largely disappointing, watchable for its central performance and cinematography.
The original was beset by problems. Financial issues produced a nomadic cast and the actor playing Desdemona changed three times. Consequently, the performances, with the exception of Welles, resemble an am-dram group putting on a tribute to stoicism.
Many beautifully framed scenes have their emotional impact devastated by the presence of an under varnished actor and unfortunately the worst offender, Michael MacLiammoir, has plenty of face time as he is playing Iago. At times, the dubbing is dubious and the piece veers close to satire.
Factor in the plot gaps and the experience is largely disappointing, watchable for its central performance and cinematography.
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